| 翻訳と辞書 |
| Harto The Borges ： ウィキペディア英語版 |
Harto The Borges
''Harto The Borges'' is a documentary film created by Eduardo Montes-Bradley.〔(''Harto The Borges'' ) at the Internet Movie Database.〕 ''Harto The Borges'' escapes the unwritten rule〔El amante de cine. Año IX. Issue 102. September 2000. Críticas. Buenos Aires Argentina〕 of biographical films on Latin American writers by exploring the narcissistic side of the author, his frequent and often criticized comments to the press, his distinctive and gentle ironies. ''Harto The Borges'' had a Theatrical release in Buenos Aires in September 2000, and was well received by the critics.〔Diario Clarin, Cine: Crítica. Buenos Aires Thursday, September 14th, 2000. "De Ideas y paradojas" by AMV.〕 Since them has been frequently exhibited at forums, campuses, and film festivals. On October 4, 2011, ''Harto The Borges'' was made available to the general audience in Argentina through the On Line version of Revista Cultura Ñ, (Diario Clarin) in Buenos Aires. The film was released alongside an article in which the director views the film ten years after its premier at the Cine Cosmos.〔"Harto The Borges: diez años después" Diario Clarin, Revista de Cultura Ñ. Section Escenarios, Cine. On Line. October 4th, 2011〕
==Synopsis==
Montes-Bradley approaches Jorge Luis Borges on film. The portrait of Borges emerges as a counterpoint to the interviewees, some of which evoke scandal and most of which cut through stereotypes and presuppositions surrounding this key figure.〔(''All Movie'' ) by Nathan Southern〕 The title of the film is a reference to a quote from the poem “Borges and I”, slightly modify to pay a tribute to the writer´s billings.〔Block de Behar, Lisa. Author´s Introduction. P. x . State University of New York, Albany, 2014〕 The strategy employed by Montes-Bradley when it comes to Borges, a writer of whom almost everything has been said, consists on giving the word to the writer himself and to a select group of intellectuals who dwell on the margins of the Argentine cultural aparatik. Montes-Bradley, however, does not exhibit Borges like a painting to be admired but rather as counterpoint to the observations of others. We are neither the hapless witnesses of another saccharine celebration of Jorge Luis Borges, nor are we forced to endure another fashionable defrocking of an idol. The Borges that emerges from the interaction of the testimonies in this documentary surges from the heat of the debate, from the strong opinions, some certainly scandalous, most politically incorrect.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Harto The Borges」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|